Rendered Expectations

Posted by admin on Apr 26th, 2012


Fort Funston, San Francisco, 2011.

This past Monday, my better half and I got the pleasure of seeing tUnE-yArDs with full band as well as local guitar wizard Ava Mendoza play along with the following Buster Keaton shorts: One Week (1920), The Haunted House (1921) and with Fatty Arbuckle Good Night, Nurse! (1918) and The Cook (1918). It was at the legendary Castro Theater for the 55th San Francisco International Film Festival Her music lent itself perfectly to the acrobatic and hilarious shorts.

 

The Rip Off Artist – What Kind of Blue ? – Off of the excellent blu Tribunl album, that take old blues numbers and adds an abstract electronic element.

Sly & The Family Stone – If You Want Me To Stay – Where is Sly ? He’s probably living in Golden Gate Park. What a great bass line intro, and probably one of my favorite Sly tunes.

The Black Keys – Everlasting Light – Off of their best album, Brothers. They always have one or two great racks on each album which is overplayed on some commercial for Target or insect repellent douche adhering body spray.

Alabama Shakes – You Ain’t Alone – An incredible live act, which doesn’t completely come across in their first LP release, Boys & Girls, but still has some great tunes that sound old, but new.

Morphine- In Spite of Me – I got to see Morphine a few times in Philly when I was getting my higher education, and Mark Sandman, the lead singer and sax player would play two saxes at once. They were a great live band, and I’m sure they will continue to get a following even after Sandman’s tragic death in 1999.

The National – Lemonworld – I’ve never been a fan of this band. All of the songs sound the same to me, but this track has a nice melancholy melody. The driving beat is contrary to the lyrics.

Escort – Cocaine Blues – After seeing the average movie, The Sitter which had a great old school rap soundtrack including The Pharcyde, this track by the Brooklyn based disco band stood out because you know, babysitting and NY makes you think of the powder, right ?

Patrick Watson – Lighthouse – Along with Rocco Deluca, a possible vocal successor to Jeff Buckley ? A new release off of Adventures In Your Own Backyard. The album has a Devotchka and Beirut vibe.

Beach House – Myth – From Baltimore, STD free, and still hazy and dream-like. I think all of their albums should come with a prescription to Xanax which wouldn’t be a bad thing for most people.

 

Fortune Rookies Invade Colonial Hipsterburg

Posted by admin on Apr 19th, 2012


Idioteque – Radiohead @ HP Pavilion, San Jose, 2012-April-11.

The incredible lighting as seen in the picture above is by Andi Watson (interview) who has been doing Radiohead’s lighting/stage design since almost the beginning of when the band first started touring nationally. Thank you W.A.S.T.E. for the incredible seats. One of the best Radiohead shows I have ever seen, and that’s mainly because of the lighting. ( More pictures: Flickr )

If you could travel back in time which at the rate of technological advancement (see: Technological Singualrity), we will probably see in the next 20 years, what one item would you take back in time. I immediately thought a cell phone/iPhone, but the infrastructure would not be in place for that to even work, as well as for most computer based devices. Depending on which era, I might take a compilation of Chris Cunningham videos especially the Windowlicker video. Rubber Johnny might be too disturbing as my wife still mentions that when we were dating, and I showed her this short clip, she was truly disturbed and knew that the peels of my onion were a bit dark and tattered around the edges.

Here are some tracks to help you to decide if a move from San Francisco to Brooklyn ( “Not just Brooklyn. A-list Brooklyn. Park Slope, Division II Manhattan.” -Noah Baumbach’s  Kicking & Screaming) is a lateral cultural move ? Well, not Park Slope, but the much hated, according to the interlaced-web Williamsburg, thankfully not the colonial variety.

 

Fink – If Only (Live @ The Red Roaster) – recorded at the UK version of Red Lobster (an all-you-can-stuff faux seafood establishment). Apparently they gave away free Fink bibs as well as Fink embossed leg crackers that doubled as a music box playing this song. Wow.

Soul Coughing – The Brooklynites – Taken from the soundtrack for Spike Lee’s Blue In The Face. Again, one of the greatest/tightest bands ever. Just listen to the drumming. Chance of a reunion – Nil ?

Battles – Toddler (Kangding Ray Remix) – If you read this site, or like the blip, crackel and pop, then you too love Kangding Ray. Battles, eh.

Squarepusher – Cryptic Motion (Mr. Oizo Remix) – He really does “Slappin’ da bass” on stage, and his soon to be released album brings back some melody and fright induced charm of his previous work.  He does look all Daft Punked out now. This is a fairly recent straightforward track with the signature bass work.

Jamie Lidell – I Wanna Be Your Telephone (Tiga Party Like it’s 19909 remix) – Since the Multiply album, Lidell has been sporadically good at best. Everything came together on that album, and even though he has the funk, the voice, and the beats, the songs haven’t been as strong. Here’s a remix from Mr. Hot in Herrrre which makes things interesting while you wait at the water fountain.

Sigur Ros – Gobbledigook (Gluteus Maximus Mix) – A one-off remix from the Kompakt people. They are playing this year’s Outside Lands Festival, and I hope they either get to jam with Metallica, or play a cover by them (joke). The Another Planet people put together the worst line-up each and every year except for the first year when Radiohead headlined.

Squeeze – Goodbye Girl – From the Spot The Difference release where they recreated all of their hits. My wife just discovered Squeeze and I still think they are one of the greatest Pop acts ever. It was one of the first concerts I saw in 1987 and still probably one of the best shows. Driving to high school everyday, I wore out the Replacements Pleased To Meet Me and Squeeze’s Argy Bargy tapes.

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